Snippet in the 'Yorkshire Post' about Karl Wood's final project to travel 700 miles to the Shetland Is to paint the remains of the windmill on the deserted island of South Havra.
CD (and backup copy) of research documents relating to windmills, watermills, iron sites and kiln tiles in North West England. Includes information relating to E. Mitford Abraham; Karl Wood; millers in the Fylde; Milling patents and turbines.
Cutting from 'Leeds Mercury' describing Me. K. S. Wood's efforts to record a photograph of Bocking Mill after hearing the news that it might collapse. The article also mentions Mr. Wood's other artistic exploits to do with mills.
Cutting from 'Yorkshire Post' describing the inspiration provided to windmill artist Karl Wood by an old windmill in Appleton Roebuck. The article gives a brief history of the mill, as well as some background information on Wood and his work.
Cutting from 'Lincolnshire Chronicle' describing Mr. Karl Wood's efforts to paint several hundreds of historical buildings all over the country. The article mentions his special interest in windmills, and that when completed, his collection will be displayed in London.
Cutting from 'Gainsborough News' describing an exhibition of some of Mr. Karl Wood's work of over a thousand paintings of windmills from all over the country, held in the showroom of Messrs. C. and S. Vickers.
Cutting from 'Boston Guardian' describing Mr. Karl Wood's work of painting over a thousand paintings of windmills all over the country. The article also gives some background on Mr. Wood's interest in mills.
Cutting from 'Lincolnshire Chronicle' describing a collection of pictures of windmills in Lincolnshire collected by Mr. W. Hallgarth. The article provides details about the photos, and also mentions a collection of Karl Wood paintings stored in a monastery in Scotland where he died.
The notebook contains handwritten lists of H E S Simmons postcards, photos from the Ratcliffe collection and drawings by Karl S Wood. These are presumably lists of the material collected by T J Mason. The handwritten list of Simmons cards contains gaps, but a complete typescript list of the watermill cards, perhaps by Simmons himself, has been pasted over the handwritten list. T J Mason's collection passed to Martin Mason, and was then sold; letter 46 in FWGC/1106833 from Stephen Buckland to Frank Gregory describes the sale of the Martin Mason collection, referring to a large amount of Simmons postcards, presumably those listed in this book. Frank Gregory's collection when catalogued at the Mills Archive was found to contain many Simmons postcards, now in the Simmons Collection (HESS). It also contained the Karl Wood drawings listed in this book, now catalogued as the Karl Wood Collection (WOOD); notes in T J Mason's hand were found with them.
Illustrated piece in the 'Gainsborough News' about the exhibition at the Gainsborough House Museum in Lincoln, displaying the work of Karl Wood who had been the art master at the local Grammar School.
Cutting from the Glasgow 'Sunday Post' about the time the artist Karl Wood spent in his retirement with the monks at Pluscarden Abbey in Morayshire, and what has happened to his legacy of windmill paintings.
Note in the 'Nottingham Evening Echo' recording that Mr K. S. Wood, the art Master at Gainsborough Grammar School, now has just 93 sites to visit before he achieves his target of painting all the surviving windmills (or their remains) in Great Britain.
Piece in the Boston 'Lincolnshire Standard' quoting Karl Wood's recent interviews when he suggested that, were children to be fed on bread made with stone-ground flour, they would suffer from far less tooth decay.
Cutting from the 'Lincolnshire Chronicle & Leader' quoting Karl Wood's opinion that, if the War carries on for any length of time and some of our big flour mills get destroyed, windmill owners will be considering reopening their properties for business.